Thursday, March 20, 2008

Stalin’s Ghost

It’s been 26 years since Martin Cruz Smith wrote GORKY PARK and first introduced the world to Arkady Renko. His latest Renko book, STALIN’S GHOST, is only the sixth in the series. Books like this cannot be rushed. Smith writes intriguing mysteries with page turning suspense, but they are also so much more. The prose is brilliant, the characters memorable, the descriptions and atmosphere haunting, the stories thought-provoking and enriching. In short, these are stunning works of literature that also happen to be cracking good reads. An all-too-rare combination.

One of the aspects of this series I particularly love is the way Smith has used Renko to illustrate the profound changes that have rocked Russia in the past two decades. In Gorky Park we saw the painfully honorable and ethical Renko struggling for justice in the crazy, upside down world of a moribund and corrupt Soviet regime. Polar Star (my personal favorite) brought us a disgraced Renko trying to survive as the Soviet world collapsed around him. By the time of Red Square, Russia is being torn apart by criminals and capitalism at its most ruthless and destructive. Wolves Eat Dogs, set in Chernobyl, shows us a Russia ravaged by billionaire oligarchs. Now, in Stalin’s Ghost, we see a Russia whose battered citizens are yearning for the glory days of the past while the secret police and Special Forces begin to reassert control.

Through it all, Arkady emerges as one of literature’s great characters. He may be brilliant, but he is not always wise, for in Russia (as in the US), an ethical man truly dedicated to justice will soon fall afoul of the system and his superiors. Once alienated from and disturbed by the coercive, mind-numbing form of Communism implemented in the Soviet Union, Renko is now troubled by the rampant greed and human toll of unbridled capitalism. Loyal to his friends and those he loves, he views the foibles of the world around him with a black wit that makes for highly entertaining reading.

I have one Smith book left—December 6, a historical set at the outbreak of World War II. I’ve been stretching his books out, savoring them in between lesser reads. He is a true master, with much to teach aspiring writers. If I get my thoughts organized, I may make that the subject of a future blog.

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Wednesday, November 21, 2007

Murder By the Book



Murder By the Book in Houston is one of those wonderful independent bookstores where the magic of words and the love of books seem to wrap you in a warm, embracing glow the instant you step through its welcoming doors. At my signing last Saturday, I talked about early nineteenth-century England and writing historical mysteries with a group of friendly, knowledgeable, and enthusiastic readers. The staff was wonderful, and I had an all-around great time. I also made a nice discovery: travel is sooo much easier when a publicist takes care of every little detail for you!

On a side note, check out Shauna Roberts' interview with me at Love of Words. Also, thanks to the trip I finally finished Martin Cruz Smith’s STALLION GATE. I’ve been reading it forever, in between nonfiction research books, so it was nice to be able to focus on it and enjoy. Not a mystery exactly, but still an incredible read. I now have only two of his books left, and I think I’m going to ration them and force myself to pick something else from my towering TBR pile. Unfortunately, it’s more a Books I Feel I Must Read for Market Research pile than a simple To Be Read pile, so it’s hard to summon up much enthusiasm. That’s one of the hazards of being a writer—all too often, reading becomes work rather than pleasure.

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Monday, October 01, 2007

Aboutness

No, it’s not a word. It’s a concept developed by our Monday night writers group to describe a certain kind of book’s appeal. Probably the best way to explain it is to talk about the novel I’ve just finished reading.

Since I’m still luxuriating in my recent delayed discovery of Martin Cruz Smith, that book was WOLVES EAT DOGS. In this installment of the trials and tribulations of Moscow investigator Arkady Renko, Arkady ends up in the Ukraine—in Chernobyl, to be exact.

I don’t know about you, but I haven’t read or heard much about Chernobyl since the big bang. So one of the (many) aspects of reading the novel that made it so enjoyable was the incredible wealth of information I acquired in the process. Chernobyl today is a strange, frightening place, and it was fascinating reading about it. This background—life in the area around Chernobyl after the accident and all the implications that has for a future many others will doubtless someday face—gave the book “aboutness.” So in addition to experiencing a great novel, I also learned about something that interested me.

This is a tendency surveys have disclosed before: readers like to feel they’re learning something from the fiction they read or the movies they watch. THE GODFATHER helps us to understand the Mafia, SHOGUN teaches us about ancient Japan, Clancy thrillers tell us everything we could want to know about modern weapons technology and techniques, THE DEVIL WEARS PRADA gives us an inside peak at the fashion industry.

The trick to “aboutness” is finding something that interests readers/viewers and then making them think you know what you’re talking about even if you don’t. It isn’t enough to take readers someplace they haven’t been before—it has to be someplace they want to go. Americans in the Cold War wanted to learn about life in Moscow, hence the huge (and well-deserved) success of GORKY PARK. Were readers as eager to learn about life on a floating arctic fish factory? Probably not. I personally found POLAR STAR an even better book than GORKY PARK, but PS never touched GP’s sales.

Of course, all too often what we “learn” is wrong. Martin Cruz Smith is fanatical about his research, which is why his books take so long to write. Others are considerably more careless. The infamous DVC, while touted far and wide as an “intelligent” book, made so many mistakes about everything from art to history that I was laughing by about the third chapter. And since I’d already read HOLY BLOOD, HOLY GRAIL and JESUS THE MAN, that theory was yesterday’s news and I could see exactly where the story was going. The “aboutness” didn’t work for me. But boy did it work for millions upon millions of other people around the world. Likewise, I quit reading Patricia Cornwell when, in the space of about twenty pages, she called Iranians Arabs and introduced a Navy general. If she made such simple, careless errors, how could I trust anything she said about forensics? After all, it wasn’t even her field. But again, her sales figures tell us that most readers are more trusting.

Where am I going with all this? No place, really. It’s just a useful concept to keep in mind when the stray wisps of a book idea start forming in our minds. If you can take your readers someplace they want to go, teach them something they want to know, give them a glimpse at a way of life that is normally hidden from them—in other words, give your book Aboutness—you will only up its appeal.

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